Year of Release: 1967
Sasha Caro was one of those interesting characters who was everywhere but nowhere on the sixties London scene. He was born in Rangoon in 1940, but his family fled to England when Burma was invaded by the Japanese, remaining on these shores thereafter. A love of music quickly sucked him into both the business and creative side of the "industry", and he took some promising steps at commercial songwriting. Originally beginning his career under the name Rick Minas, he co-wrote the non-hits "Lease On Love" by the Graham Bond Organisation and "I Won't See You Tonight" by Hamilton and The Movement, besides setting up the cheap recording studio RayRik with his business partner Bruce Rae. He also had a deeply obscure solo folk 45 out on Polydor in 1965 entitled "Well I Want No Part Of It".
Very few of their other songs managed to gain a release, though several appeared on an episode of "Dangerman" in the sixties as part of the episode "Not So Jolly Roger", which took place on a pirate radio station. All the "top sounds" the DJs spun throughout the episode were actually just recordings of Rick Minas's work, though none of these gained a commercial release after the episode aired.
Somehow, Cat Stevens managed to discover Rick through his songwriting demos, and took him under his wing to attempt to launch him as a star in his own right. His name was changed to Sasha Caro, and the two resulting Stevens-produced Decca 45s are damn good - it's astonishing that they didn't find a place on "Rubble" or one of the other many compilations that swept up the best of the Decca and Deram labels psychedelic output. On the sprightly and intricate folk-pop styled "Grade 3 Section 2" Rick's voice is on fine form, swooping beautifully all over the song. The track manages to be rustic sounding without losing any catchy pop appeal, and while it does share a similar sound to Cat Stevens' own work, it's nonetheless a fine single.
Sadly, I can't include the flip side "Little Maid's Song" below as it was recently compiled on the "Piccadilly Sunshine" series, and therefore remains commercially available. However, you can listen to it on YouTube if you want.
The follow-up "Molatov Molatov" is also worthy of investigation, being a slice of Russian-tinged psychedelia which is far more OTT and decidedly bizarre. It's already worked its way on to my "wants" list for being such a full throttle collision of chaotic ideas.
As for what became of Rick (or Sasha, or whatever we want to call him or he would prefer us to call him) nobody seems to know. He apparently gave up music and took up a career as an accountant not long after his two Decca records flopped. This seems like a horrible waste of some very obvious talent, so I can only hope he had a change of heart somewhere along the line and still occasionally plays and writes.